Antidote to the Empty Continent
May. 8th, 2009 04:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A platform-spanning discussion of Patricia Wrede's new book, Thirteenth Child, which originated at on tor.com with a review by Jo Walton, is taking place.
The discussion focuses on the ways in which the book, an alternate history fantasy in which First Nations people never arrived in the Americas, leaving the book's analogues for European peoples the luxury of settling in reality the Empty Continent that so much North American literature and popular culture seems to assume was there anyway (thus "vanishing" whole nations of indigenous - i.e., first arrival - peoples).
I have a suggestion for readers of fantasy who want to look at the other side of the Empty Continent trope. First Nations (Cherokee) author Daniel Heath Justice has written a trilogy of fantasy novels from the perspective of a people who have been colonised. It is heavily influenced by his own heritage. I've only read the first volume so far (the other two are sitting on my TBR shelf), but not only did I enjoy it, it made me think. My own review of the first volume can be found in my book journal, here.
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Date: 2009-05-09 02:46 am (UTC)no subject
Date: 2009-05-09 06:08 pm (UTC)I'm not a particualr fan of Wrede's work, so aside from the basic "she did what? Where was her brain at?" response, I'm not as conflicted as I was over the issues with Bear's books.
However, I have adored Bujold for some time, especially becasue she deals with disability/physical difference issues in ways that few other SF writers do. She turned a fragile disabled young man into a galactic heros, and it was so wonderful to read... and now she goes and makes the kind of comments that she did over at Tor, and I'm flabbergasted.
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Date: 2009-05-09 06:29 am (UTC)Thanks for sharing the news.
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Date: 2009-05-09 06:17 pm (UTC)That's a story I'd like to read.
Alternately, a story about what happened in northeast Asia because there was no land bridge or conveniently narrow waterway to provide an escape valve for population pressures. And how that might have affected the historical pattern of peoples moving west out of Central Asia into Europe.
Would the peoples who became the ancient Greeks, for instance, have migrated west and south at the same time? Would the whole Graeco-Roman underpinning of the European society we know have been altered because there was no way to migrate eastward out of Asia? Would there have been more wars in Central Asia over the centuries and the Silk Road even less reliable? That's an alternate history I'd have been interested in reading, too.
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Date: 2009-05-10 10:13 am (UTC)no subject
Date: 2009-05-10 04:22 pm (UTC)I want all the stories that aren't written for the white, middle-class primarily male, mostly straight, largely derived from the British literary tradition and the British imperialist/colonial experience audience. I'm tired of mypoic visions.
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Date: 2009-05-09 02:07 pm (UTC)*makes note for checking out after semester*
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Date: 2009-05-09 02:35 pm (UTC)no subject
Date: 2009-05-09 06:20 pm (UTC)I guess I should go look at the discussion again.
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Date: 2009-05-09 10:30 pm (UTC)no subject
Date: 2009-05-09 11:48 pm (UTC)OK, that's... an interesting attempt at being helpful.
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Date: 2009-05-11 01:08 am (UTC)no subject
Date: 2009-05-11 06:35 pm (UTC)no subject
Date: 2009-05-09 03:21 pm (UTC)no subject
Date: 2009-05-09 06:25 pm (UTC)no subject
Date: 2009-05-11 02:21 am (UTC)no subject
Date: 2009-05-11 02:55 am (UTC)I was very much struck by the author's decision to make the Kyn - the analogues of the indigenous people in the trilogy - distinctly non-human and the invaders distinctly human.
I don't know why the author chose to write the story this way, but I have several ideas why a First Nations author might make such a decision. He might be underscoring the white cultural assumptions that the Eurpoeans were the civilised humans and the indigenous peoples "inhuman" savages in order to subvert them. He might be making a conscious use of the SFF trope that often has aliens standing in for people of colour when an author wants to discuss race without being too "real" about it. He might be making a comment on internalisation of white cultural sterotypes by indigenous peoples. He might have been drawing on indigenous spiritual traditions, which from my limited understanding, do not always make the kinds of concrete distinctions between humans and other animals that European tradition generally does, in order to create diversity among his Kyn characters.
And there's probably a number of other possible reasons for such a choice that haven't occurred to me.
This is actually one of the artistic choices made by the author that fascinated me - I know there is something behind this choice, and part of the gift the books offer is the opportunity to work it out.