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file770_feed) wrote2025-09-16 02:21 am
file770_feed) wrote2025-09-15 10:53 pmscalziwhatever_feed) wrote2025-09-15 11:18 pm
This hotel has given me my own patio, and look! I’ve also updated the operating system on my Mac! Truly, this is book tour is off to an auspicious start. It is also currently 102 degrees, but only 98 degrees in the shade, so that’s something, I suppose.
Tonight! I’m at the Poisoned Pen bookstore here in Scottsdale, and I’ll start doing my thing tonight at 7pm. If you’re in or near Scottsdale and Phoenix, please come say hello to me. I would love to see you.
Tomorrow! I’ll be at Third Place Books in Lake Forest Park, Washington (that’s just north of Seattle). That will also be at 7pm! Come on down.
Okay, now I’m going back into the air conditioning .
— JS
scalziwhatever_feed) wrote2025-09-15 09:00 pm
For about five years now, I have absolutely loved the music of Mystery Skulls. It was only recently that I learned Mystery Skulls is actually just one guy named Luis Dubuc, and he’s the singer, songwriter, and producer behind it all. While I would largely describe the music as EDM, it honestly has such a unique sound to it that’s very unlike a lot of other electronic music I’ve heard before.
To me, Mystery Skulls’ music is more approachable than a lot of electronic music. With plenty of awesome lyrics and vocals, it is something I would show to someone who isn’t super into EDM already.
Back in May, I learned that Mystery Skulls was going on tour, and would be performing in Columbus in September. I immediately bought two VIP tickets, one for me and one for the friend that introduced me to Mystery Skulls in the first place.
I know I’ve mentioned it a ton of times before, but I am really not a concert person. I hate loud noises, don’t really like live music all that much, and I’m not fond of crowds. I’d rather just jam to my music by myself at the volume I prefer and not pay a ton of money for it.
All that being said, I had the most amazing time at the Mystery Skulls concert, and it was pretty much the best concert I’ve ever been to. My friend and I had so much fun!
The concert was held at Skully’s Music Diner in the Short North area of Columbus. I’d never heard of the venue before, but that makes sense considering I literally just said I don’t like live music (generally).
I loved this venue. It’s a bit of a smaller place, with two bars, a standing room area in front of the stage, and a balcony area. It’s got a dive bar vibe but with a stage. The bathroom really sealed the deal for me, with one of the two stalls having a broken lock, and the other one having a shower curtain instead of a door. At least the floor wasn’t sticky! I was very impressed by that.
So, I’m sure you’re all wondering what the VIP tickets included. At $85 dollars a piece, you got early entry for a meet-and-greet, where you got to talk to Luis and get a photo with him. I declined a photo and he asked if I was in witness protection program, which I found very amusing. After that, everyone got in line for a turn to play a round of Street Fighter with him in a one-on-one battle. I also declined this opportunity, as I suck at those type of fighting games and didn’t want to embarrass myself.
Plus, we got merch bags! A reusable bag with a cool lanyard and a VIP card that Luis signed when we met him, and a RFID card that unlocks early access to an album he’s planning to release in 2026.
So, how was the show? Well, there was an opener, and I don’t know about y’all, but I have never liked an opener at any concert I’ve attended. That was NOT the case here. The opener of the evening was NITE, two twin brothers from Texas with some of the coolest, dark-synth dance music. Like a gothic electronic vibe. It reminded me of if you were having a Stranger Things themed dance party.
I seriously loved every song they played, and they were so fun to watch perform. They really got the crowd hype for the main event. I highly recommend checking out some of their music, and I’ll leave two here for you that I particularly enjoyed:
Aside from NITE being a banger opener, Mystery Skulls kept the energy up the whole time, never slowing down or letting the vibes slip away for even a second. It was amazing to hear all my favorites, plus some new stuff that was special to the tour, and everything was seamlessly remixed together into an awesome blend of never-ending dance. Not to mention the light show was killer.
I know you’re probably at the edge of your seat waiting for me to share some of my favorite songs, so I shan’t keep you waiting any longer.
First up, we have my all-time favorite of his: “Ghost.” This is the first song I ever heard from Mystery Skulls, so it’s nearest and dearest to my heart.
A very close second place song would be “Hellbent.”
For a more funky fresh vibe, I recommend “Freaking Out.”
And for a more clubby, EDM vibe, I recommend “Losing My Mind.”
There’s so many songs of his that are great but I won’t spam you with all of the ones I like.
I’d be remiss if I didn’t tell you about the very interesting and surprisingly in-depth animations that feature Mystery Skulls’ songs, and are the very thing that my friend sent me to begin with.
While these animations don’t actually have anything to do with the music or Luis himself, the series features several of his songs and is inspired by the music.
The series, called Mystery Skulls Animated, starts with “Ghost,” and introduces us to a Scooby-Doo-esque crew who come across a haunted mansion. But things aren’t quite as they first appear.
There were tons of people at the concert in Columbus wearing merch of this animated series, and pretty much everyone I talked to at the concert had seen the animations, too. So while they’re not canon in any capacity, they are huge in the Mystery Skulls fandom itself.
I won’t link all the videos in this post since I’m mainly just here to tell you about the concert, Mystery Skulls, and NITE, but if you want to see the rest of them, here’s an in-order playlist for you.
These animations are absolutely wild and it’s so cool to see the skill and talent progress over the several years they’ve been released. Honestly I loved revisiting these for this post.
So, there you have it! My adventure to Columbus for the Mystery Skulls concert was a huge success, and I’m so happy my friend and I got to see a musician we love perform. I think I’m starting to realize I don’t hate concerts as much as I thought I did, and am mainly not a big fan of huge arena type concerts with 50,000 people and mega-screens you watch the performers on because you’re so far back that they look like a speck on the stage.
What’d you think of the songs? Are you an avid concert-goer? Let me know in the comments, be sure to follow Mystery Skulls and NITE on Instagram, and have a great day!
-AMS
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oursin) wrote2025-09-15 07:22 pmOr, do the details matter?
Concede that sometimes they do, cue here whingeing from me and from others about historical inaccuracies anent the rules of succession, the laws on divorce, etc, which have completely undermined our belief in the narrative we were reading.
But exchange earlier today on bluesky about specific time/place cultural references, do they throw you out -
At which I was, have I not read books involving baseball, and, on reflection, elaborate gambling scams, and I do not understand these at all, but this does not interfere with my enjoyment of the story. Possibly we do need to feel that the author knows what they're writing about and is not commiting solecisms on the lines of 'All rowed fast, but none so fast as stroke' - though apparently this is apocryphal.
I also felt that when I was reading that Reacher novel the other day that perhaps we had a leeeetle more detail than we really required about his exact itinerary whenever he went anywhere - the street-by-street perambulations in NYC, for ex. I am sure one could trace them exactly on a map, and any one-way systems were correctly described, and the crossings in the right place.
Which is sort of the equivalent of where I got 'futtock-shroudery' from, which was reading Age of Sail novels with Alot of period nautical terminology. (On the whole I though O'Brian got the balance on this right.)
There has been a certain amount of querying expressed in the Dance to the Music of Time discussions about some of the significance of parts of London invoked by Nick Jenkins, which is not just geography but Class (there was at least one passage where I was getting strong Nancy Mitford's Lady Montdore dissing on Kensington vibes), connotations of bohemianism, etc.
Sometimes the detail is load-bearing. But often it's not, particularly.
james_davis_nicoll) wrote2025-09-15 02:17 pm
scalziwhatever_feed) wrote2025-09-15 04:38 pm
To Oxford comma, or to not Oxford comma? That is the question. Thankfully, author Ian Randal Strock is here with some answers. Or, at the very least, plenty of research about punctuation throughout history that he’s organized into his new book, Punctilious Punctuation.
IAN RANDAL STROCK:
As all the best arguments do, it started with something very, very small. In this case, it was a comma.
Specifically, I wrote an article for the Mensa Bulletin marking the centennial of Isaac Asimov’s birth. [Footnote 1] My first job in science fiction was as the editorial assistant at Asimov’s Science Fiction magazine (and also Analog), so I met Isaac my second day on the job. Of the day we met, I wrote an amusing anecdote, and noted that “We laughed, and were friends for three years” (that is, the last three years of his life).
The editor removed the comma, and when I questioned that decision, he said, “Two dependent clauses/compound predicate so no comma is needed.” I disagreed… emphatically. To my mind, the use of the comma means: “we laughed briefly, and after that incident, we were friends for the next three years.” Without the comma, to me, it means: “we laughed for three years and we were friends for three years.” We did not laugh for three years.
The editor, however, was operating under the strict interpretation of the Associated Press Stylebook, which seems to be waging its battle against punctuation (a carry-over, perhaps, from its use for newspapers, in which saving typographical space is of paramount importance). That, too, is why the serial (or Oxford) comma has all but disappeared from news reporting.
The article in question, however, was not a newspaper report in which saving column inches was a desperate need. And I still feel the loss of that comma (but he’s the editor, so what he says goes [just wait until he writes something that I publish <insert evil grin here>]).
That interaction got me thinking about punctuation in general, and about the need for punctuation, and the wonderful things writers can do with punctuation when using it properly, and the horrible things e e cummings did to us with his minimal use of punctuation and majuscules. Punctuation, in written language, serves the same purpose as vocal inflection and body language in spoken language. Without it, we’re communicating on a flat plane. With it, we’re communicating in three dimensions.
As a science fiction writer, it may be ironic to note that I’m not an early adopter of every new thing that comes along: I still listen to CDs in my car; I maintain my unshakeable faith in the primacy of WordPerfect; and I won’t eat red or blue M&Ms. With a similar tenacity, I couldn’t let that comma go.
I researched the history of commas, and punctuation in general, and found Florence Hazrat (a Fellow at the University of Sheffield), and her article “A History of Punctuation” [Footnote 2], in which she writes, “In the broad sense, punctuation is any glyph or sign in a text that isn’t an alphabet letter. This includes spaces, whose inclusion wasn’t always a given: in classical times stone inscriptions as well as handwritten texts WOULDLOOKLIKETHIS—written on scrolls, potentially unrolling forever.” Continuous script seems to arise from the use of writing merely as record of speech, rather than a practice in itself. And since we’re hardly aware of the infinitesimal pauses we make between words when speaking—other than William Shatner [Footnote 3] and certain other enunciators—it isn’t obvious to register something we do and perceive unconsciously with a designated sign that is a non-sign: blank space.
Perhaps the main use of writing in Ancient Greece and Rome was for people giving lectures and political speeches, not publishing books. Before making their speeches, orators would work on their texts, using whatever symbols and marks would remind them which were long and short syllables, where to pause for rhetorical effect and breathing, and so on. There was as yet no such thing as reading at first sight.
This personal writing without punctuation lasted for hundreds of years, before writing slowly became standardized as a form of communication unto itself. And with that growth came the need to punctuate.
And as many science fiction writers do, I quickly fell down that research rabbit hole. Before I knew it, I had enough information to give an hour-long lecture on the subject, tinged with my own brand of humor. And then, because I’d put so much effort into it, I did even more research, theorizing, and writing, and turned it into a book. So yes, this entire book exists because I had an argument over a comma.
And by the way: serial commas rule!
***
Footnotes:
Footnote 1: “Isaac Asimov: Remembering the Literary Icon I Worked With” by Ian Randal Strock. Published in the November/December 2019 issue of the Mensa Bulletin. Available at https://www.us.mensa.org/read/bulletin/features/isaac-asimov-writer-polymath-chemist-mensan/
Footnote 2: “A History of Punctuation,” by Florence Hazrat, Aeon, Septmber 3, 2020. https://aeon.co/essays/beside-the-point-punctuation-is-dead-long-live-punctuation
Footnote 3: See, for example, “Is William Shatner’s Signature Speech Style Fake?” by Robin Zabiegalski, published February 1, 2021, on Heavy.com. In the article, Shatner is quoted as saying that “each person’s speech style [is] their own personal ‘music’.” https://heavy.com/entertainment/star-trek/william-shatner-signature-speech-style-fake/
—-
Punctilious Punctuation: Amazon|Barnes & Noble|Powell’s
lydamorehouse) wrote2025-09-15 09:31 amjames_davis_nicoll) wrote2025-09-15 10:17 amWhich 2014 Clarke Award Finalists Have You Read?
Ancillary Justice by Ann Leckie
54 (94.7%)
God's War by Kameron Hurley
21 (36.8%)
Nexus by Ramez Naam
8 (14.0%)
The Adjacent by Christopher Priest
4 (7.0%)
The Disestablishment of Paradise by Phillip Mann
1 (1.8%)
The Machine by James Smythe
3 (5.3%)
aqueductpress_feed) wrote2025-09-15 06:00 am
I'm pleased to announce the release of Erik Hofstatter's Bankrupting Skybanks, in both print and e-book editions, from Aqueduct Press. Bankrupting Skybanks, a novella in dark poetic prose, is the ninety-seventh volume in Aqueduct's Conversation Pieces Series. You can purchase it now at www.aqueductpress.com.
The disquiet in our heads has started fires again. God tries to smoke us out. We have red hair because our heads are alight. But we resist His interpretation. Red also shows our willingness to bleed.
Everyday more flesh leaves our bones. They all leave. The people we love—only out of habit, for contentment. The people we love—only out of respect, for blood shared. Even our own flesh leaves us when we stress. God leaves us when his sky path goes dark. And he waits for us to die so he can peck away. But we don’t know if there’s holy flavor left in us anymore.
Bankrupting Sky Banks is an introspective work inspired by the infamous Borgia family. A half-burned invitation written to God.
We are the prey that prays.
Advance Praise
“A shocking, scandalous, searing story, made all the more visceral by the fact that it has its roots in true history, Hofstatter’s Bankrupting Sky Banks is an extraordinary foray into the dark and deceptive world of the Borgias.” —Christa Carmen, Bram Stoker Award-winning & Shirley Jackson Award-nominated author of The Daughters of Block Island
rydra_wong) wrote2025-09-15 08:33 amfile770_feed) wrote2025-09-15 05:23 amfile770_feed) wrote2025-09-15 02:23 amjames_davis_nicoll) wrote2025-09-14 06:38 pmscalziwhatever_feed) wrote2025-09-14 07:14 pm
Why? Well, one, my book tour starts tomorrow and that’s two weeks straight out on the road, and after that I have events basically every other weekend through November, so better to prepare than not (I got a flu shot a couple months back, so I’m good there, too), and two, our dimwit-not-even-qualified-enough-to-call-himself-a-quack Secretary of Health and Human Services, Robert F. Kennedy, Jr., may be about to try to make it more difficult for everyone under the age of 75 to get a COVID vaccine, based on absolute bullshit that doesn’t stand up to scrutiny, so fuck him, I got mine. I booked my appointment at CVS, went in, got shot up and was on my merry way in less than ten minutes. Simple! Easy! Smart!
Naturally, I strongly encourage all y’all to get your own shots in as soon as you can (allowing for previous vaccine schedules and/or previous infections). Take care of yourself out there, because at this particular moment, the US federal government isn’t gonna do you much good.
— JS
oursin) wrote2025-09-14 06:40 pmThis week's bread: the Country Oatmeal aka Monastery Loaf from Eric Treuille and Ursula Ferrigno's Bread (2:1:1 wholemeal/strong white/pinhead oatmeal), turned out nicely if perhaps a little coarser than the recipe anticipates (medium oatmeal has been for some reason a bit hard to come by).
Friday night supper: ven pongal (South Indian khichchari), v nice.
Saturday breakfast rolls: eclectic vanilla, texture seemed a bit off, possibly the dough could have been a bit slacker?
Today's lunch: the roasted Mediterranean vegetable thing - whole garlic cloves, red onion, fennel, red bell pepper, baby peppers, baby courgettes and aubergine (v good), served with couscous + raisins.
conuly) wrote2025-09-13 10:47 amjames_davis_nicoll) wrote2025-09-14 08:57 am
